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Wet Film Coating Applicators provide one of the most accurate and reproducible methods of applying a coating to a flat surface for further evaluation. Since most physical properties are dependent on applied thickness, it is of paramount importance that not only must the thickness of a coating be reproducible, but also the correct value of thickness must be known. On average, applicants with the most common contour will apply a wet coating thickness, just one-half of the physical clearance between the blade and the surface receiving the coating.
There is some variation in this ratio depending on the physical properties of the coating and the rate of “drawdown” of the coating on the surface by the applicator. The careful operator will determine this ratio for his particular material and operation conditions.
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Business KB
- Are You Burning Money?
- Argument of Lack of Evidence
- Customer Complaints About Cost
- Don't Skimp on Emulsion Cost
- Donut Probe with IR Dryer
- Effective Organization
- Equipment Advice for a Manual Start Up
- Expanding Your Product Line
- Handling Errors
- How Do You Base Your Pricing?
- How to Judge the Quality of Screenprinting
- Less Expensive Emulsion Remover
- Line Tables vs a Rotary Press
- Minimum Quantity
- Misinformation and Disinformation
- Misprints and Rejects
- Organizing Orders / Shop Communication
- Pipe Recommendations for Compressed Air
- Ridding the Shop of Lint
- Safe, Natural Shop Cleaner
- Spoilage
- The Heartbeat of Your Business
- The Science of Success
- What's Your NAICS Number?
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Marketing and Sales KB
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Art and Design KB
- Defining a Color
- Detail on 100/54 Mesh
- Drying Emulsion Before Exposure
- Film Positive
- Gradient
- Halftone Formula is Unreliable
- How to Judge the Quality of Screenprinting
- Is Pantone a Fail-Proof System for Screenprinters?
- Magnifying Inspection Tools
- Mesh Resolution vs Mesh Count
- Misinformation and Disinformation
- Organizing Orders / Shop Communication
- Register Marks
- Should vertical lettering read up or down
- Veil
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Screenmaking KB
- 4-Color Process
- 7 Rules for Printing Blue Ink
- Abrading Mesh
- Achieving Resolution with Coarse Mesh
- Bar Pressure Unit
- Coating in Ordinary Room Light
- Coating Mesh With Direct Emulsion
- Considering Stencil Thickness
- Decreasing Exposure Times
- Detail on 100/54 Mesh
- Determining Stencil Exposure
- Developing Stencils Outdoors
- Difference Between Dyed and Undyed Mesh
- Don't Skimp on Emulsion Cost
- Drain Safe Emulsion Removers
- Drying Emulsion Before Exposure
- Dyed versus Undyed Mesh
- Emulsion
- Emulsion Darker in the Middle of the Screen?
- Emulsion Remover
- Equipment Advice for a Manual Start Up
- Extending the Life Span of Emulsion
- Gradient
- Halftone Formula is Unreliable
- How to Remove Glue Residue
- Identifying Stencil Overexposure
- Identifying Stencil Underexposure
- Ink Staining
- Ink Thickness
- LED Exposure Lamps
- Magnifying Inspection Tools
- Measuring Stencil Thickness
- Measuring with a Microscope Reticle
- Mesh
- Mesh Attachment to Frame History
- Mesh Resolution vs Mesh Count
- Mesh Tension Meter
- Mesh Weave
- Misinformation and Disinformation
- OBSNAP Profilometer - Surface Roughness Tester
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Polymerization
- Printing Capabilities Testing
- Printing Detail on Rough Surfaces
- Printing Glitter
- Proper Emulsion Drying
- Reclaiming
- Register Marks
- Replacement of UV Lamps
- Resolving Registration Problems
- ROI on DTS (Computer to Screen)
- Sawtooth
- Screen
- Shore A Hardness of Squeegees
- Slime Got You Down?
- Stencil Exposure Problems
- Tempered Glass Does Not Restrict UV Transmission
- Tensioning Mesh on a Bias
- Tequipment Profilometer - Surface Roughness Tester
- The Greatest Waste in Screenmaking
- The Importance of EOMR
- The Myth of Post-Exposure
- There is No S-Thread Mesh
- Thread Counter
- Tips on Foil Inks
- Use of UV Insect Lamps for Exposure
- Using a Fan to Dry Emulsion is a Myth
- Viscosity
- What Are Black Lights?
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Ink and Coatings KB
- "Green" or "Eco-Friendly" inks
- 7 Rules for Printing Blue Ink
- Achieving Opacity on Textiles
- Defining a Color
- Equipment Advice for a Manual Start Up
- Forced-Air Flash
- How to Use NyloBond
- Hydrochromic Effect
- Incorrect Gel of Underbase
- Ink Climbing the Squeegee
- Ink Ghosting on Printed Substrates
- Ink Staining
- Inks Should Be Tested
- Is it Ink or Paint?
- Is Pantone a Fail-Proof System for Screenprinters?
- Magnifying Inspection Tools
- Migration vs Bleeding
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Physics of the Print Stroke on Ink Deposit
- Pigment
- Printing Detail on Rough Surfaces
- Printing Glitter
- Printing with Permaset Inks
- Reliable Opaque Ink
- Screenprinting of Fragrances
- Silver as a Conductive
- Small Particles of Plastisol Ink in Mesh
- Sublimation
- There Are No RFU Inks
- There is No Universal Ink
- Thinning or Thickening Plastisol Ink
- Thixotrophy
- Tips on Foil Inks
- TQC Wet Film Thickness Gauge
- Veil
- Viscosity
- What Happens when Plastisol is Cured or Not
- Why Discharge Does Not Produce White Fabric
- Why Plastisol Cracks
- Why So Many Different White Inks for Textiles
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Pre-Press KB
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Press Parameters KB
- Considering Stencil Thickness
- Equipment Advice for a Manual Start Up
- Fill Blade, Squeegee, and Ink Transfer
- Ink Climbing the Squeegee
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Oversized Prints on a Manual Press
- Platen Rubber Replacement
- Pre-drying
- Print Pressure
- Printing Detail on Rough Surfaces
- Registration Variables
- Resolving Registration Problems
- Safety Sleeves for Springs
- Serilor Squeegee Edge Polisher
- Shore A Hardness of Squeegees
- Squeegee
- Squeegee Angle
- To Feather or Sharpen a Squeegee
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Press Production KB
- 4-Color Process
- 7 Rules for Printing Blue Ink
- Achieving Resolution with Coarse Mesh
- Blaming is not Resolving
- Considering Stencil Thickness
- Difference in Ink Distribution From Side to Side
- Drying Emulsion Before Exposure
- Dwell Time
- Equipment Advice for a Manual Start Up
- Flash Gel Unit
- Forced-Air Flash
- Handling Errors
- How to Judge the Quality of Screenprinting
- Identifying Stencil Underexposure
- Incorrect Gel of Underbase
- Ink Climbing the Squeegee
- Ink Staining
- Ink Thickness
- Line Tables vs a Rotary Press
- Minimum Quantity
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Oversized Prints on a Manual Press
- Physics of the Print Stroke on Ink Deposit
- Pigment
- Platen Rubber Replacement
- Pre-drying
- Print Pressure
- Printing Compressible Fabrics
- Printing Detail on Rough Surfaces
- Printing with Permaset Inks
- Register Marks
- Resolving Registration Problems
- Serilor Squeegee Edge Polisher
- Squeegee Flex is Poisson
- Squeegee Hardness
- Stop Stretching for Cure Test!
- Sublimation
- Substrate
- The Importance of EOMR
- Tips on Foil Inks
- Transfer
- Veil
- Why Discharge Does Not Produce White Fabric
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Curing and Drying KB
- Donut Probe with IR Dryer
- Equipment Advice for a Manual Start Up
- Flash Gel Unit
- Gas versus Infrared Dryer
- How Altitude Affects Temperature
- How is Temperature Defined
- Incorrect Gel of Underbase
- Ink Ghosting on Printed Substrates
- Inks Should Be Tested
- Misinformation and Disinformation
- Organizing Orders / Shop Communication
- Polymerization
- Pre-drying
- Spare Parts for Expert and Albatross Guns
- Stop Stretching for Cure Test!
- Sublimation
- Thermocouple
- Transfer
- Why Plastisol Cracks
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Reclamation KB
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Glossary KB
- 4-Color Process
- Absolute Humidity
- at – Technical Atmosphere Pressure Unit
- Bar Pressure Unit
- Capillary Film
- Catalyst
- Curer
- Degreasing
- Diazo
- Dispersion
- DPI: Dots Per Inch
- Durometer
- Dwell Time
- Emulsion
- Emulsion Remover
- Fibrillation
- Film Positive
- Fisheyes
- Flash Gel Unit
- Forced-Air Flash
- Frame
- Ghost Image on Mesh
- Gradient
- Halftone
- Heat Cure
- How is Temperature Defined
- Ink Additive
- Ink Coverage
- LPI: Lines Per Inch
- Matrix
- Measurement Unit Terms
- Mesh
- Mesh Tension Meter
- Migration
- Misregistration
- Moiré
- Opacity
- Orange Peel
- Pigment
- Polymerization
- Pre-drying
- Print Pressure
- Register Marks
- Sawtooth
- Screen
- Shore A Hardness of Squeegees
- Squeegee
- Squeegee Angle
- Sublimation
- Substrate
- Thermocouple
- Thixotrophy
- Thread Counter
- Transfer
- Veil
- Viscosity
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Videos KB
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Myths KB
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Health and Safety
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Screenprint Engineering