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One of the most discussed topics among screenprinters on social media is one in which someone is complaining about others that supposedly underquote the price to customers. In effect, that will be anyone who can do the job for less money.
The reality is that every printer will have a unique cost on overhead, labor, and margins to stay in business. A manual printer will never be able to compete with a contract printer with an automatic. There is a huge difference in price between cranking out 30 shirts an hour and 500 or more per hour as related to overhead and labor costs.
If a printer is paying rent on the facility and making a lease payment on equipment, the overhead will be much higher than a printer who owns the building and equipment that is free and clear and only paying property taxes.
The advantage will always to the printer who can exceed the expectations of the client. This is an open-ended conversation as to expectations, of course, and the price is almost always the least concern. What good is the least expensive price if their job is not of the quality that was expected or delivered past the expected time?
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Business KB
- Achieving Success
- Are You Burning Money?
- Argument of Lack of Evidence
- Before you order that part...
- Calculating Return on Investment (ROI)
- Customer Complaints About Cost
- Dangers of Acetone
- Don't Skimp on Emulsion Cost
- Donut Probe with IR Dryer
- Effective Organization
- Effectiveness, Efficacy, and Efficiency on Productivity
- Equipment Advice for a Manual Start Up
- Expanding Your Product Line
- Handling Errors
- How Do You Base Your Pricing?
- How to Judge the Quality of Screenprinting
- Less Expensive Emulsion Remover
- Line Tables vs a Rotary Press
- Minimum Quantity
- Misinformation and Disinformation
- Misprints and Rejects
- Organizing Orders / Shop Communication
- Pipe Recommendations for Compressed Air
- Posting Images on Facebook
- Printing Glass
- Ridding the Shop of Lint
- Safe, Natural Shop Cleaner
- Social Media Destruction
- Spoilage
- The Heartbeat of Your Business
- The Science of Success
- What is Industrial Print
- What's Your NAICS Number?
- Who do you listen to?
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Marketing and Sales KB
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Art and Design KB
- Best Practice Use of Alignment Marks
- Defining a Color
- Detail on 100/54 Mesh
- Drying Emulsion Before Exposure
- Film Positive
- Final Halftone Count
- Gapping of Colors to Avoid Problems
- Gradient
- Halftone Angles for Screenprinting
- Halftone Formula is Unreliable
- How Black Does Black Need to Be
- How to Judge the Quality of Screenprinting
- Increasing Hues with Limited Colors
- Is Pantone a Fail-Proof System for Screenprinters?
- Magnifying Inspection Tools
- Mesh Resolution vs Mesh Count
- Misinformation and Disinformation
- Organizing Orders / Shop Communication
- Photo Realistic Images Without Halftones
- Posting Images on Facebook
- Register Marks
- Screen Angles for Screenprinting
- Should vertical lettering read up or down
- Unwanted Fine Halftone Dots in the Film Positive
- Veil
- What Causes Moiré?
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Screenmaking KB
- 4-Color Process
- 7 Rules for Printing Blue Ink
- A Better Coating Method
- Abrading Mesh
- Achieving Resolution with Coarse Mesh
- Bar Pressure Unit
- Benefits of Computer-To-Screen
- Can Clear Tape Cause Underexposure?
- Can Emulsion be Overexposed?
- Coating in Ordinary Room Light
- Coating Mesh With Direct Emulsion
- Considering Stencil Thickness
- Correct Order of Components for Exposure
- Decreasing Exposure Times
- Detail on 100/54 Mesh
- Determining Exposure
- Determining Stencil Exposure
- Developing Stencils Outdoors
- Difference Between Dyed and Undyed Mesh
- Don't Skimp on Emulsion Cost
- Drain Safe Emulsion Removers
- Drying Emulsion Before Exposure
- Dyed versus Undyed Mesh
- Emulsion
- Emulsion Darker in the Middle of the Screen?
- Emulsion Re-Wetting
- Emulsion Remover
- EOMR Explained
- Equipment Advice for a Manual Start Up
- Extending the Life Span of Emulsion
- Gradient
- Halftone Formula is Unreliable
- How Black Does Black Need to Be
- How to Remove Glue Residue
- Identifying Stencil Overexposure
- Identifying Stencil Underexposure
- Image Size in Relation to Frame Size
- Incomplete Exposure
- Increasing Edge Resolution and Opacity
- Ink Staining
- Ink Thickness
- Inkjet Film Ink Sticking to Emulsion
- LED Exposure Lamps
- Magnifying Inspection Tools
- Measuring Stencil Thickness
- Measuring with a Microscope Reticle
- Mesh
- Mesh Attachment to Frame History
- Mesh Resolution vs Mesh Count
- Mesh Tension Meter
- Mesh Weave
- Misinformation and Disinformation
- Neutral Density Filters for Determining Exposure
- Never Use a "Step Test"
- OBSNAP Profilometer - Surface Roughness Tester
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Polymerization
- Preventing Emulsion Haze
- Preventing Ink Haze
- Printing Capabilities Testing
- Printing Detail on Rough Surfaces
- Printing Glitter
- Proper Emulsion Drying
- Reclaiming
- Register Marks
- Replacement of UV Lamps
- Resolving Registration Problems
- Rinsing Degreaser
- ROI on DTS (Computer to Screen)
- S Threads versus Tension
- Sawtooth
- Scoop Coater Edge
- Screen
- Screen Angles for Screenprinting
- Screenmaking Defined
- Shore A Hardness of Squeegees
- Slime Got You Down?
- Static and Dynamic Tension
- Stencil Exposure Problems
- Suggested Tension Levels
- Tempered Glass Does Not Restrict UV Transmission
- Tensioning Mesh on a Bias
- Tequipment Profilometer - Surface Roughness Tester
- The Darkness of Film Positives
- The Difference Between 86tpi mesh and 110tpi mesh
- The Greatest Waste in Screenmaking
- The Importance of EOMR
- The Myth of Post-Exposure
- The Savings of Maintaining Tension
- There is No S-Thread Mesh
- Thread Counter
- Tips on Foil Inks
- Use of UV Insect Lamps for Exposure
- Using a Fan to Dry Emulsion is a Myth
- Viscosity
- What Are Black Lights?
- When to Consider Computer-To-Screen
- Why Emulsion is Sometimes Difficult to Develop
- Why Use Stretch-and-Glue Frames?
- You Can't Control What You Don't See
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Ink and Coatings KB
- "Green" or "Eco-Friendly" inks
- 7 Rules for Printing Blue Ink
- Achieving Opacity on Textiles
- Advice on an Accurate Ink Scale
- Defining a Color
- Equipment Advice for a Manual Start Up
- Forced-Air Flash
- Gapping of Colors to Avoid Problems
- How Rheology Effects the Printed Image
- How to Use NyloBond
- Hydrochromic Effect
- Incorrect Gel of Underbase
- Ink Climbing the Squeegee
- Ink Ghosting on Printed Substrates
- Ink Staining
- Inks for Printing on Leather
- Inks Should Be Tested
- Is it Ink or Paint?
- Is Pantone a Fail-Proof System for Screenprinters?
- Is Water-based Ink Really Safe?
- Magnifying Inspection Tools
- Migration vs Bleeding
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Physics of the Print Stroke on Ink Deposit
- Pigment
- Printing Detail on Rough Surfaces
- Printing Glass
- Printing Glitter
- Printing with Permaset Inks
- Reliable Opaque Ink
- Screenprinting of Fragrances
- Silver as a Conductive
- Small Particles of Plastisol Ink in Mesh
- Sublimation
- There Are No RFU Inks
- There is No Universal Ink
- Thinning or Thickening Plastisol Ink
- Thixotrophy
- Tips on Foil Inks
- TQC Wet Film Thickness Gauge
- Veil
- Viscosity
- Wet Ink Thickness
- What Happens when Plastisol is Cured or Not
- Why Discharge Does Not Produce White Fabric
- Why Plastisol Cracks
- Why Plastisol Inks Fail in Laundry
- Why So Many Different White Inks for Textiles
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Pre-Press KB
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Press Parameters KB
- Considering Stencil Thickness
- Equipment Advice for a Manual Start Up
- Fill Blade, Squeegee, and Ink Transfer
- Ink Climbing the Squeegee
- Measuring Fill Blade and Squeegee Pressure
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Oversized Prints on a Manual Press
- Platen Rubber Replacement
- Pre-drying
- Print Pressure
- Printing Detail on Rough Surfaces
- Registration Variables
- Resolving Registration Problems
- Safety Sleeves for Springs
- Serilor Squeegee Edge Polisher
- Shore A Hardness of Squeegees
- Squeegee
- Squeegee Angle
- To Feather or Sharpen a Squeegee
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Press Production KB
- 4-Color Process
- 7 Rules for Printing Blue Ink
- Achieving Resolution with Coarse Mesh
- Blaming is not Resolving
- Can you run an Auto without a Chiller?
- Considering Stencil Thickness
- Difference in Ink Distribution From Side to Side
- Drying Emulsion Before Exposure
- Dwell Time
- Emulsion Breaking Down with Water-Based Inks
- Equipment Advice for a Manual Start Up
- Flash Gel Unit
- Forced-Air Flash
- Handling Errors
- How to Judge the Quality of Screenprinting
- Identifying Stencil Underexposure
- Incorrect Gel of Underbase
- Ink Climbing the Squeegee
- Ink Staining
- Ink Thickness
- Line Tables vs a Rotary Press
- Mesh Adhering to Printed Surface
- Minimum Quantity
- Misinformation and Disinformation
- Off-Contact and Mesh Count
- Organizing Orders / Shop Communication
- Oversized Prints on a Manual Press
- Physics of the Print Stroke on Ink Deposit
- Pigment
- Platen Rubber Replacement
- Pre-drying
- Print Pressure
- Printing Compressible Fabrics
- Printing Detail on Rough Surfaces
- Printing on Camouflage
- Printing with Permaset Inks
- Register Marks
- Resolving Registration Problems
- Results of Too Much Platen Adhesive
- Serilor Squeegee Edge Polisher
- Squeegee Flex is Poisson
- Squeegee Hardness
- Stop Stretching for Cure Test!
- Sublimation
- Substrate
- The Difference Between 86tpi mesh and 110tpi mesh
- The Importance of EOMR
- The Savings of Maintaining Tension
- Tips on Foil Inks
- Transfer
- Veil
- Why Discharge Does Not Produce White Fabric
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Curing and Drying KB
- Bleeding on Performance Fabrics
- Curing Textile Inks in Cold Weather
- Donut Probe with IR Dryer
- Equipment Advice for a Manual Start Up
- Eradicating Dye Sublimation
- Flash Gel Unit
- Gas versus Infrared Dryer
- How Altitude Affects Temperature
- How is Temperature Defined
- Incorrect Gel of Underbase
- Ink Ghosting on Printed Substrates
- Inks Should Be Tested
- Misinformation and Disinformation
- Organizing Orders / Shop Communication
- Polymerization
- Pre-drying
- Spare Parts for Expert and Albatross Guns
- Stop Stretching for Cure Test!
- Sublimation
- The Fallacy of Time and Temperature
- Thermocouple
- Transfer
- Why Plastisol Cracks
- Why Plastisol Inks Fail in Laundry
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Reclamation KB
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Glossary KB
- 4-Color Process
- Absolute Humidity
- at – Technical Atmosphere Pressure Unit
- Bar Pressure Unit
- Black Art
- Capillary Film
- Catalyst
- Cure
- Curer
- Degreasing
- Diazo
- Dispersion
- DPI: Dots Per Inch
- Durometer
- Dwell Time
- Emulsion
- Emulsion Remover
- Fibrillation
- Film Positive
- Fisheyes
- Flash Gel Unit
- Forced-Air Flash
- Frame
- Ghost Image on Mesh
- Gradient
- Halftone
- Heat Cure
- How is Temperature Defined
- Ink Additive
- Ink Coverage
- LPI: Lines Per Inch
- Matrix
- Measurement Unit Terms
- Mesh
- Mesh Tension Meter
- Migration
- Misregistration
- Moiré
- Opacity
- Orange Peel
- Pigment
- Polymerization
- Pre-drying
- Press Table
- Print Pressure
- Register Marks
- Rheology
- Sawtooth
- Screen
- Screenprint
- Shore A Hardness of Squeegees
- Squeegee
- Squeegee Angle
- Sublimation
- Substrate
- Thermocouple
- Thixotrophy
- Thread Counter
- Transfer
- Veil
- Viscosity
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Videos KB
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Myths KB
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Health and Safety
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Screenprint Engineering
